In a world saturated with replication, there remains a sacred space for what cannot be duplicated — the unique, the soulful, the handcrafted. It is within this rarified realm that Cornier 1757, Italy’s distinguished haute jewelry house, stakes its claim. At the crossroads of heritage and innovation, of art and engineering, Cornier 1757 speaks the language of luxury in its purest form — not as excess, but as essence.
This story begins not in the bright lights of Milan or the halls of international fashion shows, but in the deep-rooted passion of one man: Roberto Ferrata, founder and producer of Cornier 1757. A lifelong collector before becoming a merchant, Ferrata has spent decades not simply amassing rare jewels, but resurrecting a nearly lost tradition — the intricate, poetic art of Italian goldsmithing. His mission is both scholarly and visionary: to breathe new life into materials that once adorned emperors, queens, and mystics — Roman carnelians, 18th-century enamels, antique ivories, and forgotten oriental gems.
Ferrata’s vision is not nostalgic. It is pioneering. Cornier 1757 does not mimic history — it revives it, transforming these treasures of the past into contemporary masterpieces through the hands of master artisans. Each creation is the result of intense research, technical brilliance, and above all, imagination — the kind that only arises when time, skill, and soul are poured into every millimeter of metal and stone.
The Piazza Vittoria Moment: Where Time Suspends
To present this philosophy of precious individuality, a bold and symbolic location was chosen: Piazza Vittoria in Brescia — a city nestled in the Lombardy region, known for its historical opulence and artistic depth. The square, lined with Rationalist architecture, becomes the stage for something equally monumental: Stefano Bombardieri’s cantilevered rhinoceros — a thought-provoking sculpture suspended mid-air, embodying the paradox of weight and lightness, movement and stillness.
Model and creative force Jenny Di Marco describes the site as a “gem within a gem,” a perfect metaphor for Cornier 1757. “We came to Brescia to explore value — real value,” she says. “This city is full of hidden treasures, and Piazza Vittoria gave us a piece of art that captures the exact essence of what Cornier is about — the tension between tradition and transformation.”
The rhinoceros sculpture is more than a visual marvel; it is a feat of engineering. Inspired by Bombardieri’s piece, Cornier 1757 created a jeweled homage — a symbolic piece that, while physically small, carries the weight of conceptual brilliance. “It’s incredible to think of the years of study that go into creating something that seems so effortless,” Jenny continues. “It reflects my life too — a pursuit of balance and efficiency, of grace and structure.”
Hotel Vittoria: Elegance Etched in Stone
Rising like a noble chapter of history in the same piazza is Hotel Vittoria, Brescia’s one and only five-star sanctuary. The hotel became the residence and the aesthetic soul of the photoshoot. Its refined interiors, echoing Art Deco elegance, provided a timeless backdrop where jewelry, fashion, and architecture sang in unison.
Here, Cornier’s story finds its kindred spirit — a haven where craftsmanship, service, and atmosphere blend into an unparalleled experience. “Every detail at Hotel Vittoria, from the marble floors to the velvet drapes, echoes what we believe in: excellence, heritage, and soul,” says Jenny. For the discerning traveler — and wearer of Cornier 1757 — this hotel is not simply a place to stay, but a continuation of a lifestyle shaped by rare taste and timeless value.
The Muse in Scarlet and Sapphire: Manuela Bonizzoni
Of all the elements that fused to tell this story, none captured its spirit more vividly than the woman at its center: Manuela Bonizzoni, clothed in an unforgettable gown of deep crimson and regal blue — an ensemble that felt like Renaissance oil come to life. But this is no ordinary dress. It is a piece of living art, designed by Bonizzoni herself under her atelier, Unica Sartoria.
Born and raised in Mortara, a quiet town in Lombardy, Manuela’s story is one of destiny and devotion. From childhood, she was captivated by fabric, shape, and history — often creating dolls’ dresses from market scraps and immersing herself in the myths and eras that later shaped her costume design ethos. “I was a dreamer,” she recalls. “I loved mythology, queens, Roman goddesses… not just for their beauty, but their symbolism, their power.”
Her transition from curious child to celebrated seamstress was not linear. With no family history in tailoring, she forged her own path — studying, practicing, failing, and trying again. It was her mother’s intuition that set her on this journey, suggesting she explore fashion and tailoring instead of beauty school. That choice ignited a lifelong calling.
The dress worn in Piazza Vittoria is emblematic of everything Manuela believes in: structure with soul, elegance with emotion. The blue corset — sculpted to perfection — evokes the strength of female armor, while the flowing red skirt suggests freedom, passion, and movement. Together, they symbolize the very duality Cornier 1757 celebrates: the past and the present, the artistic and the functional.
Crafting the Future Through the Past
As this story unfolds across layers — of fabric, stone, and gold — it becomes clear that Cornier 1757 is not merely a brand. It is a beacon. In its jewelry, one finds the memory of civilizations and the imagination of today’s visionaries. In Jenny and Manuela, one sees the strength of modern women who carry legacy and innovation in equal measure. In Brescia, one discovers a city that welcomes the rare and reveres the refined.
Ultimately, uniqueness is not just the new luxury. It is the only luxury that remains untouched by time, immune to duplication, and unshaken by trends. Whether suspended in the form of a rhinoceros, stitched into a scarlet hem, or hidden within a carnelian gem — the unique endures.
It waits, silently powerful, for those who know how to see it.
Credits:
Photographer
@ranzellmedrano.ph
Producer
Roberto Ferrata @cornier1757jewellery
Producer Manuela Bonizzoni
@unicamortara
Model @jenny.di.marco
Management @jdm.modelsmanagement
Location @hotelvittoriabrescia
